Wednesday, 26 January 2011
Health & Safety
All photographers need to understand Health & Safety rules and should be capable of assessing and managing the risks and potential dangers associated with the use of electrical lighting, equipment and props. Photographers may be subject to physical stresses from carrying heavy camera equipment and lighting, indoors and out, in all seasons and all environmental conditions. They should therefore seek advice about appropriate techniques for lifting and moving equipment. There may also be a range of other risks specific to their area of work and they should seek suitable training in appropriate risk management procedures and best practice.
For me most important of all regulations for now perhaps is:
- looking well after my camera-(Do not let it get wet or overheat, do not drop it. Get it cleaned by professionals at least once a year.);
- look after myself when taking a shoot - (specially outdoors, when different whether conditions and different locations can provide various hazards).
As in a time when I will become more professional I will have to be more careful as I really looking forward to do travel photography and this means When you're traveling and wanting to take pictures, there are several things need to keep in mind at all times, and the main one - of course - is again own safety. Obviously, - camera is important too, but that can be replaced -Own safety is paramount - so need to be aware of surroundings.
When you're in a foreign country, or even somewhere in your own country that you don't know, you don't have the local knowledge to be aware of what's a bad or dangerous area. You might have gone out walking, looking for scenes that would make good pictures, and not given any thought to where you are. So need to keep alert, keep your senses sharp. You could be somewhere that will put you at the mercy of thieves, or possibly where you can be attacked by animals. Before you go out, ask some questions and do a little research! It could make a huge difference.
When you're in a foreign country, or even somewhere in your own country that you don't know, you don't have the local knowledge to be aware of what's a bad or dangerous area. You might have gone out walking, looking for scenes that would make good pictures, and not given any thought to where you are. So need to keep alert, keep your senses sharp. You could be somewhere that will put you at the mercy of thieves, or possibly where you can be attacked by animals. Before you go out, ask some questions and do a little research! It could make a huge difference.
So in my opinion the best thing to mind a Health & Safety is by careful planning every shoot, before even consider to go somewhere to take photographs, be prepare for everything.
Assignment 104 - INTRODUCTION TO CLOSE-UP IMAGE CAPTURE- Final images
It`s nearly there....the end of Level 1- Introduction to Photography...I really enjoyed every minute of it and already looking forward to do Level 2.
As I was doing Introduction to close-up image capture I present you with my final 6 images. It was very hard for me to choose which ones to select for final...I hope I did the right choice.
As I was doing Introduction to close-up image capture I present you with my final 6 images. It was very hard for me to choose which ones to select for final...I hope I did the right choice.
For my main theme choose my favorite things....I have a lots, but the most important is only few, which I captured and bring into a different light... Everyone has something special in the life....something which as a guard is always near, even if its not every day, but still has something what you admire and try to keep close....memories and objects that come to surround a person throughout their lifetime as the inspiration to build a unique portrait of that individual...probably I am too sentimental, but that's me...everyone is different...no one is the same.
Cup of coffee....Every morning for me starts with it....I am so in love with this drink that that`s make me addicted .... probably more than to cigarettes... and I can imagine my life without it .
"morning...gorgeous"
Camera Mode: Manual
Shutter Speed: 1/8
Aperture: F 5.6
ISO: 100
Lens Length: 300mm
White Balance: Cloudy
Meter Setting: Center-weighted
Picture Control: SD - standard
Color space: AdobeRGB
Quality setting: RAW
Light: Daylight only
I did this shut in the morning ( when light, in my opinion, is the best) placing my cup of coffee on storage unit by the window...the light was very diffused coming from outside, so I get very soft quality. I set my WB to Cloudy setting as that day was really gray.
Placed the focus point on the edge of the cup I made a various images choosing this as the best.
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God ...There are over six billion people in this world and each person has his or her own thoughts about God. How can a person know for sure what He is really like....no one has a answer....but God is very important in my life....I cant say that I am very religious, probably opposite...by religion I am Orthodox, from my mothers side...my father was Lutheran...all my other members of family are Catholics ... but from all religions for me closest is the Buddhism. As I am baptized already I cant choose - no more...so I had to develop my own relationships with God which include something from all mentioned above. That`s way I chose to take a picture with Rosary beads. Prayer beads or Rosaries are used by members of various religious traditions such as Roman Catholicism, Orthodox Christianity, Anglicanism, Islam, Hinduism, Buddhism, Sikhism, and etc.... Faith to count the repetitions of prayers, chants or devotions and also be used for meditation, protection from negative energy, or for relaxation.
"time to pray"
Camera Mode: Manual
Shutter Speed: 1/30
Aperture: F 5
ISO: 100
Lens Length: 240mm
White Balance: Auto
Meter Setting: Spot
Picture Control: SD - standard
Color space: AdobeRGB
Quality setting: RAW
Light: Daylight only
I took this image in the same morning placing Rosary on the window sill. The Auto WB did a pretty good job of rendering the correct colors in the scene, witch was lit by a natural daylight.
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Stones....I collecting them since I was little some are lost, but some will remain in top spot in my collection. I have stones from Everest in Nepal, from India, Italy, Peru etc ... I have a passion for traveling, but unfortunately I never had enough money to go somewhere by myself. So if I know that someone from my friends are going abroad I ask them to bring me a stone. Each stone has is own story, is own life and they are eternal and that's way I admire them. First place in my collection belongs to black, dull stone, which one of my friends - archeologist give me as a present. That stone comes from Antarctica - the coldest, driest, and windiest continent and I believe that is a black diamond because I can easily cut a glass with it...but even if not for me is the most precious.
"diamond in the rough"
Camera Mode: Manual
Shutter Speed: 1/20
Aperture: F 5
ISO: 100
Lens Length: 240mm
White Balance: Cloudy
Meter Setting: Spot
Picture Control: SD - standard
Color space: AdobeRGB
Quality setting: JPG Fine
Light: Daylight only
It was taken in same morning in same location using daylight only, what came from the window. Couple of images was taken till I choose in my opinion the right one. The focus point was placed in the middle and large aperture opening helped to blur the background.
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Angels -I collect them too...a couple years now....I had this little guardians in various shapes, stiles and sizes. And this below is one who gets the most attention, I had pictures of it in different locations and different times a day....but this particularly one my tutor liked the best, so I decided to put it in my final.
"little angel"
Camera Mode: Manual
Shutter Speed: 1/15
Aperture: F 6.3
ISO: 100
Lens Length: 240mm
White Balance: Auto
Meter Setting: Spot
Picture Control: SD - standard
Color space: AdobeRGB
Quality setting: RAW
Light: Daylight only
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This is also one image from the same morning...I would say it was very productive for me. I use as a background satin material and nylon ribbon...focusing my lens direct to the angel. As I wasn't sure what WB will be the best I set it on Auto, to let camera take a reading of the ambient light and make an automatic adjustment.
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Candles - Quite simply, but the best ultimate home accessory. With what you can decorate any space in seconds, transform its mood, and leave a lasting impression. It works for me both ways...specially in winter when everything is so dark I have a special need for some light what candles gladly provide.
"candlelight"
Camera Mode: Manual
Shutter Speed: 1/15
Aperture: F 5.6
ISO: 100
Lens Length: 300mm
White Balance: Fluorescent
Meter Setting: Spot
Picture Control: SD - standard
Color space: AdobeRGB
Quality setting: RAW
Light: Table lamp
Creating a best possible image of candle probably took me a longest of time...I tried capture a different tips of candles, with various aperture and shutter speed combinations...in various light conditions till finally I came up with this image....Usually shooting previous I placed my focus point direct to the candle light, but this time I decade to focusing on candlestick frame and let candle be out of focus - a bit a blur and I am really pleased with result. As it was a evening I used my table lamp as a main light provider.
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Books- this is definitely my favorite thing of all possible....A good book on your shelf is a friend that turns its back on you and remains a friend...You can learn a lot about a person by what he reads, but its will be hard to check me out from that, because I reed a bit from everything and in three languages so you can imagine, how many I have and how many I will have for future...
"bedtime story"
Camera Mode: Manual
Shutter Speed: 1/2
Aperture: F 5.6
ISO: 100
Lens Length: 300mm
White Balance: Fluorescent
Meter Setting: Spot
Picture Control: SD - standard
Color space: AdobeRGB
Quality setting: RAW
Light: Table lamp
It took me a wile to choose the perfect position for a capturing a book...I tried to shoot from different angles, choosing a different kinds of books...various books together, nothing seemed right, than I tried open a book, capturing only a pages, fragments and finally from all hundreds of non good material I get this perfect image, which I think is one of my best, that is way I adding it as a last.
Image presents pages of Latin Dictionary. My focus point was in the middle of the scene allowing only page edges look sharp. As a main light source was my table lamp placed on one side of the book and creating nice shadows inside a object.
Image presents pages of Latin Dictionary. My focus point was in the middle of the scene allowing only page edges look sharp. As a main light source was my table lamp placed on one side of the book and creating nice shadows inside a object.
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All photographs was done with my Nikon D3000 camera using Tamron AF- 70-300mm lens, which has a Macro setting. Before taking every image I set up the scene placing my tripod in the right position wide away from the object. Using a tripod help keep my images sharp. Also I turned on the highlight warning, in my camera, as alert if my image gets overexposed. I used it to check my images on the back of the LCD screen after taking a shot. If I see an area that is blinking I will usually set the exposure compensation feature to an underexposed setting like - 1/3 or 2/3 stops and take another photo, checking result on the screen. I repeated this process till warnings was gone. That help me a lot to produce a good quality photographs .
All images except stone was shot in RAW image format, to get the best quality possible and greater dynamic range than JPEG processed images. The only downside of that was that I cant open them on my computer I had to go to college to be able to see them...and also I had problem of placing them in my blog. So I went for easiest option - with help of Photo shop I took a screen grabs from all of the final images in order to manage sort out my blog information.
Thees images I will be using for my Image Presentation assignment as well, I just still waiting for them to be printed. I printed some of them but I didn't like the quality so I place an order in different website, but I still not receive them. But I hoping for a best...and also that this time I will be satisfied with image quality...
Wednesday, 19 January 2011
ASSIGMENT 108 DIGITAL IMAGE MANIPULATION
For this part of assignment I had to provide evidence of digital image manipulation skills in creating images that have been substantially modified for visual effect.
My Photo Shop skills is not the best...in this area I consider myself on a level 0, but anyway using all my basic knowledge about layers, filters and Image adjustments I manage to create 4 images, which been manipulated with necessary standards in order to pass this task.
D I F F E R E N T S K Y
This is probably one of the first and simplest images, what I created....which beautifully presents our Midlands Weather - Rain....I just added a bit of sunshine which is so rare in this part of England.
Originally formed from two different images using Layer tool in Photo Shop:
1.
/Manulal, F 8, 1/40 sec, ISO 200, WB Manual/
/It was taken Monday 25.October, - last day of sunshine, when I went for a walk with my children to Outwoods Park in Burton. That time I still getting know my camera Nikon D3000, I was experimenting with different aperture and shutter speeds and this, for me is one of my favorite images so far./2.
/Aperture Priority, F 11, 1/80 sec, ISO 100, WB Auto/
/This images was taken in one of the rainy days of November, when heavy rain shower leave me with a beautiful raindrops all over my window...I didn't have think twice, I garbed my camera and make couple pictures...that is one of them./
I put both together with help of Photo Shop Layer Tool, choosing Darker Color setting I came up with above manipulated image.
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/Angel/
Same as first one is created just adding two photographs together using Layer tool in Photo Shop creating, in my opinion, very powerful image.
1.
2.
/Both wast taken using Auto mode - same day in same location - near college. We was sent out during the lesson to practice in Composition - make different images using different angles, tones etc./
I put both together in Photo Shop - experimenting with various layers, I choose to go for Darken setting. After I crop off some bushes and wire on the right corner to create more specific feel as a Angel really coming down from the sky.
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/Cherubs/
This image presents baby angels looking down from the sky....I used Photo Shop Layer Tool to put together 2 images....adjusting color balance, brightness and contrast and in the end using Diffuse Glow filter to make my image look grainy as it was some part of old ceiling painting.
/Cherubs/This image presents baby angels looking down from the sky....I used Photo Shop Layer Tool to put together 2 images....adjusting color balance, brightness and contrast and in the end using Diffuse Glow filter to make my image look grainy as it was some part of old ceiling painting.
1.
/Manulal, F 5.6, 1/5 sec, ISO 100, WB Flurescent, 300mm lens/
2.
/Manulal, F 22, 1/50 sec, ISO 100, WB Manual/
/Both images was taken by me, for first one I changed my usual Wide angle camera lens for telephoto 300mm lens, using Macro option to make subject appear bigger than original size./
Mu tutor wasn't very pleased with it, but I liked, maybe if I had more knowledge about Photo Shop result will be more satisfied, but still I don't think is too bad.
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/Face/
This is my favorite...and probably the one that took me a lot more time to create. I used picture of myself taken by me and one of my first images ever taken bu by Nikon D3000. 
/Portrait mode/
Good pictures of me can take only me like I always say...I didn't know my camera so well that time so I used a portrait mode, when camera automatically adjusts the colors to give natural-looking skin tone./
This was original image, but to produce above manipulated image I had to change it, so I use Image Adjustments to make it Black&White and than with Help of History brush tool I bring back some color.
1.
2.
/This second images what I use, was my one of the first taken by my camera ...that time I don't know nothing about aperture or shutter speeds, so everything is Auto mode, but anyway I love this one. This is a view to still sleepy Burton taken not far from where I live around 6am in September./
Inspired by Helen Sear I wanted to create my own original "Inside a view". I put both together choosing Linear Light Layer option.
Tuesday, 28 December 2010
RESEARCH part II
This is my second part of research and time is now my enemy...is nearly Christmas...and I have still 5 artists left, which is a lot considering that in the mean time, children is out of school and all this festive holidays...no time left at all....so I will be writing this all as a draft and hopefully will post it before I return to collage...
But enough about me and my time limit...beck to research...
But enough about me and my time limit...beck to research...
Looking through Google I sadly realized that no more women are in this profession. Like always all fame goes to a man kind...so I wanted to find some female artist, which wasn't easy.....finally I get help from list of famous photographers, what I get in college. Going through all female names...only one really stand out for me and that's why I decided to outline her name in my research.
HELEN SEAR
Helen Sear was born in 1955 in the UK and studied Fine Art at Reading University and the Slade School of Art London. She has exhibited extensively both in the UK and abroad using video, photography and digital media.
H.Sear explore ideas of vision, touch, and the re-presentation of the nature of experience, combining drawing, lens based media and digital technologies. Her photographic practice has developed from a Fine Art background of performance, film and installation work made in the 1980’s and than became widely known in the 1991 British Council exhibition, De-Composition: Constructed Photography in Britain, which toured Latin America and Eastern Europe.
H.Sear explore ideas of vision, touch, and the re-presentation of the nature of experience, combining drawing, lens based media and digital technologies. Her photographic practice has developed from a Fine Art background of performance, film and installation work made in the 1980’s and than became widely known in the 1991 British Council exhibition, De-Composition: Constructed Photography in Britain, which toured Latin America and Eastern Europe.
Is something about her work what draw my attention immediately ..as a person who loves art I cant help my self notice how close H.Sear`s images is to a paintings...well for me anyway. She constructs and manipulates different visual perspectives... The majority of her works are large-scale prints which seduce the viewer with their intense colours and the lush materiality of the surface of the photographic image. The two main themes I liked the most...."Hidden Women or (Beyond The View)" and "Inside The View".
"Hidden Women"
"Hidden Women"
"Inside The View"
"Inside The View"
I personally find these pictures magic...there is something what make me think about unreal, and how its even possible to create that. As I read relationships between nature and culture, mythology and technology have been at the forefront of Helen’s art practice over the last 25 years, so I not surprised that her work is truly represents it.
"Inside The View"
"...landscapes and figures, two separate photographs are superimposed, the image behind appearing to float as a net or veil on the surface by a process of hand drawing/erasing in the computer. One photograph depicts the back of a head, the other a landscape both taken in different locations and reconstructed within a single image...."
"Beyond The View"
As she constructs and manipulates different visual perspectives, H.Sear intervenes in the process of looking. She presents layers of different viewing distances with dynamic perspectives combined as if by magic into a single field of vision. She is given me some ideas about my own work as well, what will help me with my image manipulation assessment. Anyone who wants take a closer look of H.Sears works, can go to a link below or visit some of her work collection places:
Ernst & Young, Victoria & Albert Museum, Arts Council of Great Britain, British Telecom, Unilever, Manfred Heiting (Germany), Bupa, Tetrapak, Department of Trade & Industry, British Council (Rome), Virgin Communications Collection, Texaco Collection, Paul Wilson Collection, Reader's Digest Collection, British Council (London), south Glamorgan County Council.
I am not sure are any of the works is for sale...I would like to buy one...or at least create something similar my own...
SUE BISHOP
Sue Bishop is a photographer specializing in flower and landscape photography. She sells prints and greetings cards, and is a author of various books about flower photography. Once spending some my time in library I came across one of her books:
- great work, with lots of beautiful colour images an useful information. Covering all the practical skills and aesthetic considerations involved in photographing flowers, this book explores: technical matters, colour theory and artistic considerations. Like all women I adore flowers any kind and any season....and present them like S.Bishop does is one of my dreams from know...
Sue Bishop has been taking photographs for more than 20 years. Her work has sold round the world and has been exhibitions including the Mall Galleries and the Royal Horticultural Society in London.
S.Bishop has always found flowers to be the subject she returns to with a passion. Her sumptuous images blur the boundaries between photography and art, with an emphasis on colour and form that often creates and abstract composition.
I feel very bad because of winter...I would like to go out and try to make something like this....of course I have to buy some macro lens first, like I read - it is the main tool of S.Bishop... to get one to one magnification. Luckily I have telephoto lens which I can set on macro and my photo camera Nikon D3000 has ability to customize images with different filter tools, so as a beginner I hope to get out in spring to realize some S.Bishops tips in practice.
When I start to write my research about photographers, I can get a point of this, now I know...to became I fine photographer you have to know and consider other photographer works, to take the best from it and create your own as a never seen original.
There below is one of my images created inspired by S.Bishop work.
/Manual,F 5.6, 1/5 sec, ISO 100, 300mm lens/
/I used a soft filter tool in my camera/
More from S.Bishop:http://www.suebishop.co.uk/
JOHN SHAW
As I continued my research in library I thought I should explore some close up photographers - (close up is my main theme of assessment -to pass this course) - so I came a cross with a one book what straight away catch my eye with a beautiful images. That was a " Closeups in Nature" by John Shaw.
Success in closeup photography, J.Shaw maintains, depends on control, and he advocates meticulous experimenting and testing of equipment and supplies before one attempts to photograph in the quickly changing, unpredictable conditions of the field.
I know, how hard is it to shoot something in, for example cloudy conditions, when light is changing every second....and your equipment is more basic than professional. I would say Shaw is an excellent teacher, - most of the available material on closeup photography concentrates on studio techniques, which can't be used effectively in the field. Discussing the basic technical considerations as they apply to outdoor closeup photography, Shaw covers exposure, equipment, and composition. Specific techniques and equipment applications include: extension tubes and bellows; macro lenses; internal focusing lenses; zoom lenses; supplementary lenses; flash; and lighting... The book is illustrated throughout with Shaw's fine, full-color images.
The last one...just leaf, but how simple but same time impressive image is that...it remains me one of my favorite image of a single feather which I took when I just start getting my head around all aperture and shutter speed stuff....
...and some other close ups, from autumn when outside was sunny and bright and was lots to capture ....
Of course I not compering my work to J.Shaw`s ...I have so much to learn, but still I think my images even if is not professional is not looking bad and considering all advice in this book they can get even better:).
John Shaw work is not only about closeups, he is a professional nature photographer since 1970, has been published in just about every place that uses natural history photos: Audubon, National Geographic, Smithsonian, National Wildlife, Nature's Best, etc. His photos have been used in many books. Advertising clients ,include Nikon, Fuji and Kodak from the film days, Epson, and a number of outdoor clothing/equipment companies.
J.Shaw has written/photographed six books plus his eBook on Photoshop (John Shaw'sPhotoshop Field Guide). He has been conducting seminars and workshops for many years and has lead tours worldwide for Joseph Van Os Photo Safaris.
J.Shaw has written/photographed six books plus his eBook on Photoshop (John Shaw'sPhotoshop Field Guide). He has been conducting seminars and workshops for many years and has lead tours worldwide for Joseph Van Os Photo Safaris.
The best from his work you can find on this website, www.johnshawphoto.com what is full of information and advise also with gorges, colorful images from around the world. This below probably is one of my favorite....I wish I can go places and capture something like this....
DAVID WARD
As always to find someone to write about I have to see actual work of that person...and that usually for me is a book...of course internet thees days is full of great material ...any kind you want, but for me is not enough ... I use it just as assistant...
Before Christmas holidays I went to the library and get same books for time out of college...not that I will have time to read them all, but still...what harm it can do...so one of them was full of outstanding landscape photographs by David Ward and I new it straight away this person should be in my research....
Before Christmas holidays I went to the library and get same books for time out of college...not that I will have time to read them all, but still...what harm it can do...so one of them was full of outstanding landscape photographs by David Ward and I new it straight away this person should be in my research....
I like landscape photography a lot....if I will make it till level II probably I will choose that as my theme for next assessment....and D.Ward is a perfect example how landscape photography should be.
David Ward is one of Britain's most notable landscape photographers..he has worked as a commercial photographer in advertising, design and publishing, but landscape remains his first love. He has traveled and photographed throughout the UK, in the Canadian Rockies, the Colorado Plateau, Iceland, France and many other locations....in search of that special moment to immortalize it.
David Ward's camera looks deep into the landscape; revealing texture, detail, rhythm and subtleties that most of us miss.
/Joe Cornish/
/Joe Cornish/
...and it so truth...he has this special way to capture landscape around him....lots of the images is taken very close to show the best bits of scenery....
Last one is probably my favorite...just look how simple it is...nothing much, just rusty fence and grass....most of us will just pass by don't even notice, but D.Ward make most of it ...I adore this man, he have this special way of seeing things and everyone who is interested in landscape photography have lots to learn from him. More from D.Ward you can find on -
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I finally came to the end of my research....I proud of myself...even if its not the best ...is certainly my first that kind of work, so forgive me me if information wasn't so complete or other spelling errors appear. I am glad I did this...it help me to get to know so many interesting people, and lots of information what I gain from this will help improve my photographer skills for future.........The last part of my research I wanted to dedicate one of the old masters of photography, who touched my hart with incredible Paris photographs....
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Brassaï
Like all girl I love Paris...I never been there, but I will....and I will make most of my trip that's for sure...I seen lots of Paris photographs in the past, but way like Brassai presents them is out of any contest....maybe it is the feeling of that time...or his talent ...I don't know, but all the images, specially from the night series is stunning (for me anyway).
Brassai (9.September 1899 – 8.July 1984) was a Hungarian photographer, sculptor, and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the World Wars.
As a young man, he studied painting and sculpture in the Academy of Fine Arts in Budapest. Later he became a journalist, coming to Paris in 1918, where he fell in love with the city and with the camera....who can blame him....
Brassai sees Paris as a subject of infinite grandeur, his photographs providing a sensitive and often extremely dramatic exploration of its people, its resplendent avenues, and endlessly intriguing byways. Brassai’s reputation was established with the publication of his first book, Paris at Night, now a modern classic, and one of my favorites. Some of the pictures in this book are sharply defined, while others capture the mistiness of rainy nights and shadowy life of the underworld.
As a young man, he studied painting and sculpture in the Academy of Fine Arts in Budapest. Later he became a journalist, coming to Paris in 1918, where he fell in love with the city and with the camera....who can blame him....
Brassai sees Paris as a subject of infinite grandeur, his photographs providing a sensitive and often extremely dramatic exploration of its people, its resplendent avenues, and endlessly intriguing byways. Brassai’s reputation was established with the publication of his first book, Paris at Night, now a modern classic, and one of my favorites. Some of the pictures in this book are sharply defined, while others capture the mistiness of rainy nights and shadowy life of the underworld.
From old masters he is definitely my favorite....sometimes I think how it was possible in that time...when even photo film wasn't the best quality make something like this -beyond description -nice...I am always struggling with light, but don't forget that I am using digital camera...and I can always see what I am doing....what about Brassai, he captured all by instinct relay only on his talent and inspiration....Many of his works is still for sale, you can easily buy them online at:
He was really one of the greatest and I feel a bit sad knowing that darkroom printing is not so popular anymore, all thees days is done by computer, which is the easiest way...but does it really makes you a great photographer...I don't think so....
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